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Welcome to Orality to Multimedia, a blog about classic works of literature and their interpretations on screen. This blog is the public writing place for members of English 2111 (World Literature I), College of Coastal Georgia, Summer 2010. We aim to make an appealing blog that will catch the public eye and be a valuable resource for learning about classic literature and film. Here you will find commentary about literary works, as well as historical, cultural, political and aesthetic research on those works. In addition to our written work, you will find images, videos and links to related sites and blogs. We invite the public to tune in to our project, and--please--leave us comments if you'd like to enter the conversation.

~Perfesser

Saturday, August 14, 2010

Redemption on Stage and on Screen by Cindy Clark

The Tempest, a romantic tragicomedy, is one of William Shakespeare's later works. It is a more serious play, dealing with the theme of redemption. As Prospero is about to explain to Miranda why they are there on the island she asks if it is because of foul play or if it is a blessing, and he answers it is both. Of course, it was foul play that landed them there, but, during the course of time, something happened that caused Prospero to consider it a blessing; maybe, it was all the free time he now had to spend with his daughter. Perhaps the time he spent isolated from the rest of the world gave him a better perspective of what is really important in life. Unfortunately, many times it is only after losing something that means so much to us that we are truly able to see the importance and value it held in our life. Initially, the play gives the impression that Prospero is out for revenge, but as the story unfolds, you see it isn't revenge he is after, but restoration and healing. His love for his daughter, concern for her future happiness, and the realization that she (and he) is getting older, is his inspiration.
The film Tempest is a modern-day interpretation of the play, and although it is not an exact replica, there are similarities. One similarity is that Phillip is isolated on an island away from civilization. Unlike Prospero, he wasn't forced against his will to go there; he wanted to. He needs a change, a new perspective on life. The longer he stays away on the island, the more he loses touch with reality. He begins to feel as if he has some supernatural power. Maybe he started to think of himself as God; however, as the storm rages out of control, Kalibanos reminds him, "You not God: only God God". Drama on stage and in film often reflects the drama of everyday life. The ups and downs of life can sometimes make a person question what is really important. Everyone can relate to that at some point in their life. Although we may feel like living on a deserted island, we are social creatures and we need to have relationships. Our lives would be less complicated without them but also empty and useless. I think Phillip realizes this, and, in the end, gets his wife and his life back and all are happy. The play and the film have a similar message—forgiveness. Life is unpredictable at times and we are not God; but we do have the power to make choices—choices that can give our lives deeper meaning and, ultimately, change our lives and the people closest to us for the better.

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